Kotä records identity draft
Year: 2016; work in progress
I now believe in Signs/ Poster
a project about neon-making
Year: 2016;
I now believe in Signs/ Report
a project about neon-making
Year: 2016; Media: booklet, 96 pages
CZ Vuc. Together with Clement Tremblot
Commissioned work. Referring to Rammelzee and Armin Hoffmann. Constructed and drawn by Clement Tremblot.
Technique: silkscreen on cardboard; Year: 2016
Excavate. Vom Herausgraben und Zusammentragen von Dingen
Book, Editorial, Print, Photography
Year: 2012; 18 x 25 cm, 175 pages. Excavate is a book project exploring the phenomena of collecting. Interviews with Günter Höhne (GDR design expert), Simon Menner (artist), Thomas Olbricht (art collector), Stephan Steigleder (vinyl collector), etc.
Alte Mediäval revival, type design project at ECAL
Year: 2015; Teacher: Francois Rappo.
Alte Mediäval is digital revival of a semibold serif by Berthold, used for bauhaus newspaper (1926). Avaliable on request: info@anfalov.de. Used by MALBA (Buenos Aires) for the permanent exhibition Verboamérica. Cyrillic extension is planned.
My contribution to 00:00 24:00 — MAAD × Studio Noi
Year: 2016
CNVX studio identity
Year: 2013; Identity for the creative studio CNVX, run by K. Medvedev and me (now defunct). The colors rep­re­sent spe­cial­iza­tions of the stu­dio, and can be used in dif­fer­ent con­texts. The logo­type is based on the old font study by H. Huss­mann.
Wajda V.1.00
Type, work in progress
Year: 2016;
My contribution to 00:00 24:00 — MAAD × Studio Noi
Year: 2016
Work in progress: "Cul­ture of Con­fronta­tion", book prototype
Book, Editorial, Maps, Print
Year: 2015; Media: Book prototype Collaborating with ukrainian photographer Maxim Dondyuk, documenting the Maidan revolution in Kiew. Slide#5 is a digital restoration of destroyed voulonteer map.
AMS archive: 2009-14
Book, Editorial, Print
Year: 2015; Media: Book; Format: A5; Open binding, 96 pages. An analog archive of the AMS tumblr, containing all the guest mixes and the moodboard, seeking for childhood dreams, russian identity, nostalgia, and music-related imagery.
Book. Format: SRA3, spiral binding. Teachers: Marie Lusa, Bruno Ceschel
Year: 2015; A project about the food photography. The goal was to extract image fragments (at 4800dpi) from the food magazine (single source, MMM refers to it's logo) in a way that would emphasize the visual language of the food advertising.
AEM Ritm-Kaskad and Dices video titles
Year: 2015;
AEM Ritm-Kaskad and Dices record sleeve
Print, Packaging, Editing
Year: 2015; Media: 7” record sleeves. Cover artwork is based on the pattern excersice from Arim Hoffmann's book "Graphic Design Manual" https://www.youtube.com/watch?v=Kmr-oNfkfn0
Year: 2015; A website proposal for the music service Soundstamps
Editorial, Photography, ECAL
Year: 2015; Media: Brochure A4. A visual essay on the absurdity of classes in swiss railways. Based on SBB corporate design, using the advertising statements. Top of the right page contains images from the 1st class, and bottom 2nd respectively.
Ante Meridiem Story flyers and CD's
Year: 2011–2014; Various ephemera, connected to the Ante Meridiem Story platform.
Serafim, type design project at ECAL
Year: 2015
Teacher: Matthieu Cortat An interpretation of a parametric rounded sans-serif type used for the obscure exhibition catalogue "Naivität der Maschine" (1974). An ongoing project with cyrillic extention planned.
Alter­na­tion Mag, prototype
Print, Editorial
Year: 2009; Media: Magazine prototype; Format: 18 x 25 cm; Paper: resa offset;
Lookbook for the fashion designer Irina Voronov, All Seasions ‘15
Lookbook, Editorial
Year: 2015; Media: Lookbook and inlay, A3
Various ephemera
Posters, Books, Flyers, Internship
Year: 2008-2015; Slides# 7-9 are works produced during the internship at Studio Lambl/ Homburger, Berlin.
Exca­vate Bootlegs. Restora­tion Story
Year: 2015; Media: 7” record sleeves. Digitally restored record sleeves. Continuation of the project "Excavate". I col­lected infor­ma­tion on each record, asking people at discogs data­base. The infos are printed on a trans­par­ent insert.
Year: 2012; Media: Flyer, A4